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Emily |
EMILY Ellin Anderson "A falcon struck upon the snow, As if a fatal bell had chimed In woods as white as mistletoe. His actions were as finely timed As dances graceful and precise About the sistrum and the lyre In lands of gold, whose blood is fire In snowfields where the blood is ice. "He painted neither stain nor streak Of crimson, but each fan-tail plume That brushed the snow — his claws and beak, Made rays, like falling stars of doom. The graven hieroglyphic lines Told nothing, and I had to guess At either failure or success Above the creek, below the pines." Beyond the window where I sat, The sun turned molten as I told My story to a little cat Whom I had saved from snow and cold. "You know the spot — I found you there. The object of his swoop was small. It did not leave a track at all, No more a trace than silent prayer. "Now, you are fierce, within our house — A moonlit night will see you prowl Along the walls, to catch a mouse: You are as cruel as any owl. She does her best to light your way, But in the hours of starry blue, The moon is kind to owls, too, Where mice and careless kittens play." "Is that why I must stay indoors? Meow, meow!" cried Emily. "The world is red with many wars, But you are very good to me." I loved her so — this kitten-child In refuge from the savage tooth, Yet I had kept her from the truth: I'd seen her mother in the wild. And then I felt the pearly claws Close round my flesh, and pierce my leg. "I see the prints of Mother's paws — I'm sure that she has come to beg! Mother!" she cried — and then the crown Upon the mountains sank from sight Behind a misty veil of white, Because the snow was falling down. "Hush now," said I, and stroked her fur Of marble white and granite grey. "Let's light the window-lamp for her — No cat should be a nightbird's prey. Before those footprints fill with snow (The way an hourglass fills with sand), You'll see her feeding from my hand, And lolling where you frisk and purr, And basking in the fire's glow." |
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© 2010 by Ellin Anderson. All rights reserved. No part of this work may be copied or used in any way without written permission from the author. |